Dead West is a new series of limited cassette tape releases from the Lost Tribe Sound record label, inspired by the recent relocation of the LTS headquarters from the dry desert of Arizona to the lowland plains of Wisconsin’s farm country. The Dead West focuses on music built for exploring and soundtracking your environment, whether you're deep in the middle of lush woodlands, or just laying back at home with your eyes closed. The first two releases in the series come the wildly prolific composer William Ryan Fritch and experimental guitarist Seabuckthorn. Both albums share a certain bond, Seabuckthorn’s ‘I Could See The Smoke’ seems to traverse more inland from dense forests to sunbaked prairies, while Fritch’s ‘Ill Tides’ ebbs and flows through rough seas and expansive coastal regions.
The interesting choice of cassette tapes for this series is a first for Lost Tribe Sound, but it felt like the right choice for a few reasons. First off, the warped, dusted nature of cassette tapes pairs well with the music at hand. Secondly, the short production time for tapes allows us get the music out to fans while we are still highly excited about it, something that’s just not possible with the lengthy vinyl process. And finally, Dead West allows LTS to explore some more unusual sonic territory deserving of a physical format, that would’ve otherwise been too costly for our more extravagant release methods.
William Ryan Fritch is a composer, songwriter, multi-instrumentalist and producer currently based in Oakland, California. His compositions are characterized by his unique range as a multi-instrumentalist and audio engineer, allowing him to realize large ensemble arrangements found in folk, Indie-rock, electronica,
Hip-hop, World and orchestral music as a solo endeavor.