Sea Fourth by Threes And Will
jumolanuoli ï nimizi
nouli se han oli omo bou
jumola soud'ni iohovi
Tracklist
| 1. | South of Mason | 3:48 |
| 2. | Dead Are Abstracted | 5:36 |
| 3. | Glued Into Space | 2:46 |
| 4. | Kinjika Died On The Fifth | 4:19 |
| 5. | Sea Fourth | 8:31 |
| 6. | Kurdaitcha (live) | 3:11 |
| 7. | To be effective, the ritual | 3:53 |
| 8. | Sea Fourth (Demo Version) | 10:43 |
Credits
released January 16, 2014
On track 6 (Kurdaitcha) monotron played by Huerequeque.
Album released on limited edition (42) cassette by Trash Can Dance. (TCD44 2014).
Some reviews:
Threes and Will go for the spaced out, feedback laden psychedelic with the unabashedly lo-fi world of “Sea Fourth”. Squalls burst through the constant barrages of riffs and random no-wave inspired rhythms. A primal feeling permeates the entirety of the album, one which grabs the listener. Everything about the album references this undeniable chaos from the way the drums blast through without a care in the world to the warped guitar playing. Yet despite all this madness there is a joy that rests squarely in the center of the album, one that helps to give it a warmth.
Oddly addictive “South of Mason” serves as the highlight of the album, as it works its way through with a swagger to it. Far harsher in nature “Dead Are Abstracted” chooses a prickly path. Referencing early Butthole Surfers material “Glued Into Space” simply lets loose. Large and spacious “Kinjika Died on the Fifth” presses forth with an uneasy amount of energy. Distortion plays a critical role on the languid, fuzzed-out groove of the strangely soothing washed out of the title track “Sea Fourth”. Drum machines duel it out on the Royal Trux Twin Infinitives era scope of “To be effective, the ritual”. Rather peaceful “Sea Fourth pt. 2” carries on where the previous sea fourth left off.
With “Sea Fourth” Threes and Will delve into the crustiest, wildest scenarios for blown-out post-jam sessions, weirdo creations that linger in the mind thanks to their highly unique nature. - Beach Sloth
These are hymns for urban-grey pyramids. Everywhere you look in the city there are shrines. Though moments of trascendentalism in the urban experience are rare, they can be achieved with a decent pair of headphones and an active imagination. The sound in your ears should be built out of the textures of the landscape. Breeze-block guitars. Drums that shuffle like footsteps. - 20jazzfunkgreats
www.20jazzfunkgreats.co.uk/wordpress/2014/07/threes-and-willskullflower/
On track 6 (Kurdaitcha) monotron played by Huerequeque.
Album released on limited edition (42) cassette by Trash Can Dance. (TCD44 2014).
Some reviews:
Threes and Will go for the spaced out, feedback laden psychedelic with the unabashedly lo-fi world of “Sea Fourth”. Squalls burst through the constant barrages of riffs and random no-wave inspired rhythms. A primal feeling permeates the entirety of the album, one which grabs the listener. Everything about the album references this undeniable chaos from the way the drums blast through without a care in the world to the warped guitar playing. Yet despite all this madness there is a joy that rests squarely in the center of the album, one that helps to give it a warmth.
Oddly addictive “South of Mason” serves as the highlight of the album, as it works its way through with a swagger to it. Far harsher in nature “Dead Are Abstracted” chooses a prickly path. Referencing early Butthole Surfers material “Glued Into Space” simply lets loose. Large and spacious “Kinjika Died on the Fifth” presses forth with an uneasy amount of energy. Distortion plays a critical role on the languid, fuzzed-out groove of the strangely soothing washed out of the title track “Sea Fourth”. Drum machines duel it out on the Royal Trux Twin Infinitives era scope of “To be effective, the ritual”. Rather peaceful “Sea Fourth pt. 2” carries on where the previous sea fourth left off.
With “Sea Fourth” Threes and Will delve into the crustiest, wildest scenarios for blown-out post-jam sessions, weirdo creations that linger in the mind thanks to their highly unique nature. - Beach Sloth
These are hymns for urban-grey pyramids. Everywhere you look in the city there are shrines. Though moments of trascendentalism in the urban experience are rare, they can be achieved with a decent pair of headphones and an active imagination. The sound in your ears should be built out of the textures of the landscape. Breeze-block guitars. Drums that shuffle like footsteps. - 20jazzfunkgreats
www.20jazzfunkgreats.co.uk/wordpress/2014/07/threes-and-willskullflower/
License
All rights reserved.Tags
In 1953, a dying Aborigine named Kinjika was flown from Arnhem Land in Australia's Northern Territory to a hospital in Darwin. Tests revealed he had not been poisoned, injured, nor was he suffering from any sort of injury. Yet, the man was most definitely dying. After four days of agony spent in the hospital, Kinjika died on the fifth.
One-man band from Estonia.