PSYCHOPOMPS by The No Ring Circus Orchestra
This is the original soundtrack for PSYCHOPOMPS, the second full-length production by The No Ring Circus.
Tracklist
| 1. | Extreme Unction | 2:03 |
| 2. | Dance Of The Cloven Hooved | 3:04 |
| 3. | Rosa Triangulum | 4:25 |
| 4. | For Fear | 2:08 |
| 5. | The Flaying | 4:49 |
| 6. | Kneeling Before The High Priestess | 4:07 |
| 7. | Awash In Serpents | 1:46 |
| 8. | Meine Kleine Russin | 2:52 |
| 9. | Penitential Welts | 4:00 |
| 10. | We Of The Kingdom Hold The Keys | 2:40 |
| 11. | A Mouthful Of Silt And Prayer | 4:40 |
| 12. | Our Father, The Father | 5:43 |
| 13. | Heaven Is A Guyanese Sunset | 17:43 |
Credits
released July 7, 2019
Composed by: Eli Rose
Except "Meine Kleine Russin": written by Reverend Beat-Man, and arranged for Psychopomps by Eli Rose.
Performed by:
Eli Rose - keyboards, piano, organ, percussion, sounds and samples
Beardsley - ukulele, guitar
Cassandra Watson - harp
Dr. Sick - fiddle, cuatro, percussion
J.D. Wilkes - vocals, organ, piano
Pete Lanctot - violin
Reverend Beat-Man - vocals
Walken Schweigert - vocals
Zebulon Whatley - vocals, guitar
and The Congregation of The Fortress of Lushington - vocals
Mastered by: Johnny Azari
Cover photo: Roy Guste
Graphic design: Darby Harmon
Composed by: Eli Rose
Except "Meine Kleine Russin": written by Reverend Beat-Man, and arranged for Psychopomps by Eli Rose.
Performed by:
Eli Rose - keyboards, piano, organ, percussion, sounds and samples
Beardsley - ukulele, guitar
Cassandra Watson - harp
Dr. Sick - fiddle, cuatro, percussion
J.D. Wilkes - vocals, organ, piano
Pete Lanctot - violin
Reverend Beat-Man - vocals
Walken Schweigert - vocals
Zebulon Whatley - vocals, guitar
and The Congregation of The Fortress of Lushington - vocals
Mastered by: Johnny Azari
Cover photo: Roy Guste
Graphic design: Darby Harmon
License
All rights reserved.
The No Ring Circus is focused on the avant-garde fusion of theatre with ritual, circus, and kink, using sideshow and traditional circus skills to tell a theatrical story, and not just as an accessory to one. We seek to rethink sideshow and circus skills outside of their niche and present them to a wider audience as intrinsic elements of our stories, not tokens.