A collection of electroacoustic ambient works created using algorithmic processes with Max (a visual programming language for music and sound).
This unique technique overlaps layers of pure sine waves to produce delicately shifting organic overtones.
The sounds are sometimes metallic, reminiscent of a glass harp, or even resembling a human voice.
Immersive and meditative, this sonic texture is ideal for deep listening and mindfulness practice.
The instruments and effects were custom-programmed specifically for this project, allowing for a sonic expression that is difficult to achieve with common music production tools.
Available for download in 24bit/48kHz. Experience these sounds in a variety of listening environments, from headphones and studio monitors to immersive surround sound setups.
Eectronic musician.
A member of JSEM (Japanese Society for Electronic Music).
I create music using original algorithms developed in Max, a visual programming language for sound and multimedia.
I have collaborated on installation art, dance performances, video works, and theater arts, in addition to performing live electronic music.