The Consultation by Bloody Hell
Tracklist
1. | The Consultation | 3:25 |
2. | Keep It On | 3:05 |
3. | Weeds And Seeds | 3:46 |
4. | Sex Dot Com | 2:46 |
Credits
released February 1, 2020
"[Bloody Hell] play a mischievous form of art-rock that nods towards Talking Heads and The Makers Of The Dead Travel Fast, musical auteurs who refused to be pigeonholed (or take themselves too seriously). They’ve got bass, drums and guitar, but keyboards and sax as well, which gives these dance-y tracks a freaky-fun sensation similar to when one gazes upon a photo of The B-52’s from 1979. 'Keep It On' features a rousing repeated chorus of 'keep your track suit on', whereas 'Weeds And Seeds' feels like four different M Squared-related groups at once, settling closest to Wild West." (Matt Korvette, Yellow Green Red/Pissed Jeans)
"Eerie and unnerving warble from Australia. Art-punk, certainly, but without firmly planted feet, allowing for these cool and unexpected shifts that enrich each tune. Their use of keys/synths informs the uneasiness permeating the release, but it’s when pop creeps through the cracks, particularly in 'Sex Dot Com,' that I am fully on board. Oddly enough, it’s all got me thinkin’ ’bout off-center shite like YEAH YEAH NOH and the ilk. Bloody good, this BLOODY HELL." (Mitch Cardwell, MRR)
"[Bloody Hell] play a mischievous form of art-rock that nods towards Talking Heads and The Makers Of The Dead Travel Fast, musical auteurs who refused to be pigeonholed (or take themselves too seriously). They’ve got bass, drums and guitar, but keyboards and sax as well, which gives these dance-y tracks a freaky-fun sensation similar to when one gazes upon a photo of The B-52’s from 1979. 'Keep It On' features a rousing repeated chorus of 'keep your track suit on', whereas 'Weeds And Seeds' feels like four different M Squared-related groups at once, settling closest to Wild West." (Matt Korvette, Yellow Green Red/Pissed Jeans)
"Eerie and unnerving warble from Australia. Art-punk, certainly, but without firmly planted feet, allowing for these cool and unexpected shifts that enrich each tune. Their use of keys/synths informs the uneasiness permeating the release, but it’s when pop creeps through the cracks, particularly in 'Sex Dot Com,' that I am fully on board. Oddly enough, it’s all got me thinkin’ ’bout off-center shite like YEAH YEAH NOH and the ilk. Bloody good, this BLOODY HELL." (Mitch Cardwell, MRR)