Violin, cello & viola magic courtesy of Richard Curran
Theremin & guitar impressionism by Martin Powell
Mastering by Dean Honer
Special thanks to Barbara Fraser for the tasty script over my tweaked photo of a plantation on Jeffrey Hill (near where I lived and lurked in the mid 70s to mid 80s).
I realise concept albums are quite 70s / 80s. Anyway, the titles are as follows:
Part 1
Early Promise
Adaption
The Moors
Fladge in the Mist
Frost & Mud
Wistful Thinking
Part2
Narrative Headspace
Apprehension
Soap Bar Blues
Off the beaten track
Part 3
The Underlying Sorrow
Shadows & Appropriation
Orcs
Journey's End
Lastly, the three parts are intended to be self-contained and should work if played in any order.
Paul has been writing and performing electronic music since the late 1970s influenced mainly by German musicians such as Roedelius and Schnitzler and bands such as Tangerine Dream and Cluster. However, all musical niches are considered fair game and failure is deemed more noble than non-participation.