Phantom Keys by Nakibemebe Embaire Group & Naoyuki Uchida

A striking collision of East Africa’s trance-inducing polyrhythmic traditions and modernist dub practice, Phantom Keys documents a one-off performance at Tokyo’s Daikanyama Unit on August 2024, where Uganda’s Nakibembe Embaire Group shared the stage with Japanese live dub sorcerer Naoyuki Uchida upon the invitation of FRUE, one of Japan's most singular festivals.

Nakibembe are the last custodians of the embaíre, a colossal log xylophone sunk into the earth and played communally by eight musicians, producing a hypnotic lattice of tuned wooden keys, vocals and shakers. Their sound is at once raw and impossibly intricate: polyrhythmic cascades that ripple into trance-inducing resonance, echoing everything from East Africa’s ancient ceremonial traditions to the metallophonic webs of Indonesian gamelan.

Naoyuki Uchida is one of Japan’s leading dub and live-sound engineers, best known for his work with DRY & HEAVY, the influential band that spearheaded Japan’s roots reggae and dub renaissance in the 1990s. He has since infused his spatial, distinctive approach to live dub mixing into various projects from experimental percussion collectives to alternative rock outfits like GEZAN, always treating the mixing desk as an instrument in itself—layering echo, reverb, and delay in real time while shaping the dynamics of bands on stage.

For Phantom Keys, Naoyuki Uchida situates himself inside the living architecture of Nakibembe, reshaping the ensemble’s surging energy through his radical live dubbing practice. Uchida’s hands translate the embaíre’s rolling thunder into new dimensions—sending tones into delay-spirals, sculpting space with cavernous reverb, and teasing ghost frequencies from the pit-amplified instrument. The result is neither documentation nor remix, but a third entity: a phantom performance where lineage and electricity intertwine.

At points the embaíre’s dense percussion seems to dissolve into misted echo, while elsewhere Uchida’s interventions sharpen the groove into near-techno propulsion, collapsing borders between village ceremony, dub laboratory and avant-club. The synergy recalls Nakibembe’s legendary appearances at Berghain with Indonesia’s Gabber Modus Operandi or at Nyege Nyege festival, yet here the dialogue is intimate, captured in a single night where tradition was folded into the present tense of experimental sound.

Phantom Keys stands as a rare artefact of cross-cultural resonance: the last surviving exponents of an endangered Ugandan form meeting one of Japan’s most radical dub engineers in full flight. A record for ears tuned to Nyege Nyege’s cross-current experiments, Adrian Sherwood’s On-U Sound alchemy, or the fault-lines where traditional ethnographic recordings from Sub-Saharan Africa mutate into contemporary experimental form.

Nyege Nyege Tapes is a Kampala based label exploring, producing and releasing outsider music from around the region and beyond.

We fulfill orders twice weekly, so most items will be shipped out within 3-5 days of your order being placed, with tracking provided automatically. We ship all records in whiplash mailers with extra cardboard protection.

For bookings email tapes@nyegenyege.com

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