Taramoand from Barrows by Kathedral Noir

Side A - Day
The name is taken from Hill of Tara. The tumuli of the Green Isle, sacred landscape, and soundscape. Then, the word 'mound', revised.
One dwelling of under the good earth and Sky & Space, where they meet as rolling green hills and human life, all animal, mineral, and other beings one might dream up.
I was deeply moved, in creating this track. Created on the March Full Moon [Crow (or Worm) Moon], it is deeply ancestral. Both for this cultural aspect in its rich history as applies to me and those of it, but THE Ancestor. Always in reach, if there is seeking. In ancient times, throughout the world, mounds, pyramids, or other structures signified all this connection. They were near palaces for the afterlife, some of them. As we rejoined Ancestor, these were for the People yet earthbound as much, to have access to those other ethereal and poetic dream-beings. As a Soul rejoins the Cosmos Entire, home never stops being the green earth, which climbs the Sky with us, and we find always through all of Space-Time, even the heart and mind of continuing to embrace us where we fear these coming unraveled and lost.
You are not lost, and this soundscape us of hope's return in your rejoining. Body comes and goes, transforms and is in a fixed chaos of abundant growing, extending, expressing that seeks the sublime; light and comfort, naturally.
All rejoining is Taramoand.

Kathedral Noir is one artist who recreated the synthesizer to be a way to deflect and transcend. To absorb and transform. To then release. It is still healing. Moreso now than ever.
Where compassion is needed most is where compassion has been shown least.
If your Source is Compassion, bring it to once was your chaos and fear. Shed the past and don't forget your power. Shadows are powerful. Light.

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