Jopará by Julian Di Pietro / Julia Rosetti
En el marco de la exhibición Y Porã de Julia Rossetti en el Museo Casa de Ricardo Rojas (CABA) Julián Di Pietro realiza esta improvisación a partir de los registros sonoros del universo de Y porã, proyecto en el cual colaboró desde la programación MIDI y la mezcla de sonido.
Jopará da cuenta de un ciclo, completo pero imperfecto, donde la rítmica autónoma de la naturaleza es atravesada por el lenguaje. Una forma donde las resonancias musicales autóctonas encuentran nuevas posibilidades en la improvisación electrónica. Una forma, un tiempo.
Released April 8, 2021
Julián Di Pietro - Improvisación en tiempo real con samples de
grabaciones de campo (Julia Rossetti) e Instrumentos chamameceros (artistas YouTubers)
--------------------------------------------------------------------------------------------
Within the framework of the exhibition Y Porã by Julia Rossetti at the Museo Casa de Ricardo Rojas (CABA) Julián Di Pietro performs this improvisation based on the sound recordings of the universe of Y porã, a project in which he collaborated with MIDI programming and sound mixing.
Jopará shows a cycle, complete but imperfect, where the autonomous rhythm of nature is crossed by language. A form where native musical resonances find new possibilities in electronic improvisation. One form, one time.
Released April 8, 2021
Julián Di Pietro - Real time improvisation with samples from field recordings (Julia Rossetti).
field recordings (Julia Rossetti) and chamamecero instruments (YouTubers artists).
Translated with www.DeepL.com/Translator (free version)
Tracklist
| 1. | _-_ | 4:09 |
| 2. | _-_-_ | 7:13 |
| 3. | _-_-_-_ | 5:47 |
| 4. | _-_-_-_-_ | 4:44 |
| 5. | _-_-_-_-_-_ | 7:50 |
| 6. | _-_-_-_-_-_-_ | 2:01 |
Credits
Julian Di Pietro - Electronic Improvisation
Julia Rosetti (@latigx) - Soundfield recordings
License
CC BY 3.0. See the Creative Commons website for details.
Composer and sound artist born in La Plata, Argentina. His most recent work is framed in the exploration of spatialities both in sound recording and studio production. He also explores the poetic possibilities of sound programming and improvisation by electronically intervening field recordings.