Dubious Authenticity by Hank Tilbury
Instrumental tunes for a variety of banjos, ukuleles and a guitar.
Tracklist
| 1. | Gallop | 2:53 |
| 2. | Quarter to Midnight | 1:57 |
| 3. | Dog Day Fantasia | 3:48 |
| 4. | Lonesome John | 2:40 |
| 5. | Waterbugs | 1:44 |
| 6. | The Last Days of Burwinkle Hendershot | 3:24 |
| 7. | The Quiet Stomp | 2:03 |
| 8. | Freezing Drizzle | 1:28 |
| 9. | Little Sadie | 2:16 |
| 10. | Pearly Dew | 2:53 |
| 11. | The Flight of the Felted Owl | 3:53 |
| 12. | The Mighty Farquhar | 2:44 |
| 13. | Rainy Morning Fantasia | 3:34 |
| 14. | Knots & Kinks | 1:58 |
| 15. | Tune for Topsy | 3:01 |
| 16. | Sump'n Done Bit Me! | 2:40 |
Credits
released June 23, 2017
Hank Tilbury--standard and baritone five-string banjos, concert and baritone ukuleles, nylon-string guitar, voice, field recordings.
Hearn Gadbois--tombak on "Lonesome John".
Martin Kirwan--guitars and bass on "The Quiet Stomp".
All tunes © 2017 Hank Tilbury, except the traditional ones: "Lonesome John", "Little Sadie" and "Pearly Dew".
Recorded, edited and mastered by Fletcher Munson at the National Repository for the Collective Unconscious, Shawnee Mission, Kansas.
Cover photograph by Len Scover. Painting, "Self-Portrait as Bigfoot Fleeing the Camera" (watercolor, 4"x 6") by Burt Sienna.
Album notes by Ty Pingslow.
Special thanks to: Hearn Gadbois and Martin Kirwan for their playing and their encouragement; Lammbone, Swampmessiah, Greenwood & Burns, Annie Cuatro, Tuonela, Jeff Sampson, Pretzels Malone and many, many others on SoundCloud for their music and inspiration; Becky Stevens and Kaylee Thomas for some fine music-making, tune-sharing and gigging; Jason Beers for his multifaceted genius and for getting me out of my cave; EVERYBODY at Rural Grit and the Kansas City folk scene; Geevie Gee for being a great kid; and, of course, my Nandelion.
This entire mess © 2017 Hank Tilbury
Contact me at hanklebury@gmail.com
Hank Tilbury--standard and baritone five-string banjos, concert and baritone ukuleles, nylon-string guitar, voice, field recordings.
Hearn Gadbois--tombak on "Lonesome John".
Martin Kirwan--guitars and bass on "The Quiet Stomp".
All tunes © 2017 Hank Tilbury, except the traditional ones: "Lonesome John", "Little Sadie" and "Pearly Dew".
Recorded, edited and mastered by Fletcher Munson at the National Repository for the Collective Unconscious, Shawnee Mission, Kansas.
Cover photograph by Len Scover. Painting, "Self-Portrait as Bigfoot Fleeing the Camera" (watercolor, 4"x 6") by Burt Sienna.
Album notes by Ty Pingslow.
Special thanks to: Hearn Gadbois and Martin Kirwan for their playing and their encouragement; Lammbone, Swampmessiah, Greenwood & Burns, Annie Cuatro, Tuonela, Jeff Sampson, Pretzels Malone and many, many others on SoundCloud for their music and inspiration; Becky Stevens and Kaylee Thomas for some fine music-making, tune-sharing and gigging; Jason Beers for his multifaceted genius and for getting me out of my cave; EVERYBODY at Rural Grit and the Kansas City folk scene; Geevie Gee for being a great kid; and, of course, my Nandelion.
This entire mess © 2017 Hank Tilbury
Contact me at hanklebury@gmail.com
License
All rights reserved.Tags
"There are some enterprises in which a careful disorderliness is the true method."--Herman Melville
While it's true Melville was referring specifically to the process of rendering blubber from a floating whale carcass, the same philosophy could be applied to our approach to music: make plans, but make them flexible; improvise and adapt. "Careful Disorderliness" is our motto.