Still Life by Edu Comelles
Tracklist
| 1. | Of Course, But Maybe | 6:52 |
| 2. | Still Life | 4:48 |
| 3. | This Winter Sun | 7:36 |
| 4. | The Sweet Hereafter | 6:50 |
| 5. | Lament | 10:12 |
| 6. | A Lisbon Story | 1:46 |
| 7. | Maestrat | 11:36 |
Credits
released November 8, 2019
...
Of Course, But Maybe / 6:52
Composed mixed and arranged by Edu Comelles using only samples for a small wood kalimba and field recordings. Originally composed at El Polell, Montseny (Catalonia) during Summer 2018.
Still Life / 4:48
Composed mixed and arranged by Edu Comelles using only cello samples recorded by Sara Galán back in 2014 and field recordings.
This Winter Sun / 7:35
Composed mixed and arranged by Edu Comelles using synths and field recordings. Additional piano by Isabel Latorre recorded at Catarroja Conservatory on January 2019. Work originally commissioned by Domenech Vidal wine cellar at Penedés region (Catalonia).
The Sweet Hereafter / 6:50
Composed mixed and arranged by Edu Comelles using only samples from an early recording of the Organ at Logroño Cathedral. Original field recording can be heard in 2013 Comelles album "Camino, Parte Primera". Accordion recording by Isabel Latorre in 2019.
Lament / 10:12
Composed mixed and arranged by Edu Comelles using samples from rehearsals with Música Trobada Ensemble of Baroque Music. Samples feature harpsichord, violins and countertenor voice. Electric bass by Isabel Latorre recorded in Valencia in 2019.
a Lisbon Story / 1:46
An improvised and serendipitous recording of portuguese singer Felicia Mar done at Mãe d'Água in Lisbon, Portugal, during Lisboa Soa Festival.
Maestrat / 11:36
Composed mixed and arranged by Edu Comelles using field recordings of a fence being blown by the wind and voice by Isabel Latorre.
_
Thanks:
Thanks to Sara Galán, Felicia Mar, Francesc Valldecabres and Musica Trobada and specially thanks to Isabel Latorre for her kindness and generosity. This album is dedicated to all musicians which whom I have collaborated and learnt over the years, specially those who kindly allowed me to tinker with their own sounds.
...
Of Course, But Maybe / 6:52
Composed mixed and arranged by Edu Comelles using only samples for a small wood kalimba and field recordings. Originally composed at El Polell, Montseny (Catalonia) during Summer 2018.
Still Life / 4:48
Composed mixed and arranged by Edu Comelles using only cello samples recorded by Sara Galán back in 2014 and field recordings.
This Winter Sun / 7:35
Composed mixed and arranged by Edu Comelles using synths and field recordings. Additional piano by Isabel Latorre recorded at Catarroja Conservatory on January 2019. Work originally commissioned by Domenech Vidal wine cellar at Penedés region (Catalonia).
The Sweet Hereafter / 6:50
Composed mixed and arranged by Edu Comelles using only samples from an early recording of the Organ at Logroño Cathedral. Original field recording can be heard in 2013 Comelles album "Camino, Parte Primera". Accordion recording by Isabel Latorre in 2019.
Lament / 10:12
Composed mixed and arranged by Edu Comelles using samples from rehearsals with Música Trobada Ensemble of Baroque Music. Samples feature harpsichord, violins and countertenor voice. Electric bass by Isabel Latorre recorded in Valencia in 2019.
a Lisbon Story / 1:46
An improvised and serendipitous recording of portuguese singer Felicia Mar done at Mãe d'Água in Lisbon, Portugal, during Lisboa Soa Festival.
Maestrat / 11:36
Composed mixed and arranged by Edu Comelles using field recordings of a fence being blown by the wind and voice by Isabel Latorre.
_
Thanks:
Thanks to Sara Galán, Felicia Mar, Francesc Valldecabres and Musica Trobada and specially thanks to Isabel Latorre for her kindness and generosity. This album is dedicated to all musicians which whom I have collaborated and learnt over the years, specially those who kindly allowed me to tinker with their own sounds.








