Celestial Mechanics by Chuck van Zyl

Inspired by space, the physical universe, and all of its intricacies, as well as by classic Kosmische Musik works from out of the 1970s Berlin-School, Chuck van Zyl realized the four pieces found on Celestial Mechanics as personal electronic odes - to the four Galilean moons of Jupiter, and the astral motions of the solar system.

Clearly influenced by "Crystal Lake" and "Rubycon", as well as by the direct mentoring of The Nightcrawlers (the NJ Space trio with which he was so closely associated), Chuck van Zyl found himself finally making music that, not only properly portrayed his cosmic yearning, but was representative of the restless, creative spirit which had inhabited him for so long.

As we listen to "Celestial Mechanics", we can feel this world of discovery still living on. The repeating music box sequencer intro of the title track immediately turns our thoughts to the virtues of The Universe as a place of possibility and wonder. Sounds build out, and additional lines of rhythm are introduced. A magic machine pulse provides a distinctive energy, one more of the mind than of the air. Confirming synth lines surface - reassuring the lost, and arousing the adventurous - and dramatic chord changes help us ascend further still. As we pass through eerie amorphous interludes of drones, metallic tones, and wondrously modulated aural accents, the mounting tension resolves.

The emergence of an ever repeating pattern of echoing bass notes supports the lilting melody of a soft synthesizer lead. Minimalist sequencer runs motor on, then gradually brighten. Individual notes are transposed and repeated, minutely altering the pattern and quickening the music's pulse. After a few variations in momentum, the music slows, and expends its previously built mass in thoughtful repose. Transitioning out of this energetic phase the magical beauty of its closing section solemnly brings "Celestial Mechanics" to its conclusion.

While "Celestial Mechanics" includes all of the texture and atmosphere the Spacemusic genre is known for, its biggest success is in its entertainment of a most unusual idea - of traveling while being still. New musical territory can only be discovered once. Chuck van Zyl has built profoundly upon all of his.

Chuck van Zyl has been at his own unique style of electronic music since 1983. His musical sensibilities evoke a sense of discovery, with each endeavor marking a new frontier of sound.