Dropkick continues Stillhead's post-dubstep UKG explorations and February's efforts are no less punchy than January's 'Try Bonjour' - this time it's more chopped breaks, organs and weighty basslines on offer.
The hazy, blurred overlap between techno and ambient, the dubby fringes of deep house and melancholy bass music or the closing gap which separates drum and bass from dub-techno, it’s all within our Brightest Dark Place.