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loser from everything hurts by BED

Tracklist
5.loser3:49
Lyrics

IIIIIIIIIIIIIIIIIII—IIIIII IIIIIIIIIIIIIIIIIII—IIIIII

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

IIIIIIIIIIIIIIIIIII—IIIIII IIIIIIIIIIIIIIIIIII—IIIIII IIIIIIIIIIIIIIIIIII—IIIIII IIIIIIIIIIIIIIIIIII—IIIIII

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m losing and falling and falling again
I’m losing and falling and falling again

I’m losing and falling and falling again
I’m losing and falling and falling again

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

IIIIIIIIIIIIIIIIIII—IIIIII IIIIIIIIIIIIIIIIIII—IIIIII

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’m getting control

I’m getting control
I’m getting control
I’m getting control
I think I’ve lost control

Credits
from everything hurts, released May 23, 2025
LicenseAll rights reserved.
Tags
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BED is a queer musical project, with a sound rooted in shoegaze, dream pop and post punk. Their lyrics are sad and sexual, weaving together threads of both vulnerability and desire, producing a body of work that challenges normative creative expression. This is exemplified in the vocalizations, which are intentionally gender ambiguous, representing a fluid identity throughout the album